Guitar panne hard left an plate verb hard right. Use the balance control to control how much verb you want to hear. UniValve with a KT66 into a Basket weave 4x12 with V30s. Played by Nick Sterling
Another Nick Sterling UniValve clip...
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 4 o'clock. Rock input. No boost or efx used.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 4 o'clock. Rock input. No boost or efx used.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Sylvania 6L6G, and EH 12AX7s,. Celestion Classic Lead80. close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix .Roll input everything dimed except attitude at 3 o'clock, LoV setting, NR on.
Dan Tyack playing Bill Asher Lap Steel. UniValve with a Tubg-Sol 5881.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Svetlana 6550, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 3 o'clock. Rock input. No boost or efx used.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a JJ/Tesla EL84, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 5 o'clock. Rock input. No boost or efx used.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a JJ/Tesla EL84, and EH 12AX7s, Celestion Vintage 30 close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. UniValve was set to HiV, all controls at 5 o'clock. Rock input. No boost or efx used.
Bill Lyerly with a PRS EG III, into the Rock input of the UniValve with a Phillips 6CA7. EH12AX7. Speaker is a Celestion Silver Series.
Bill Lyerly with a PRS EG III, into the Rock input of the UniValve with a Phillips 6CA7. EH12AX7. Speaker is a Celestion Silver Series.
Ed DeGenaro with a chambered Suhr Tele with humbuckers, UniValve with a Sylvania 6L6G, and EH 12AX7s,. THD Longhorn speaker close miked with a Shure SM57 into a Roland VS 1680, reverb and delay added during mix. Roll input everything dimed, LoV setting, NR on.
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.
Dan Tyack using the UniValve with a Franklin pedal steel at a recent Campbell Brothers gig.
Andy Marshall with a Patrick Eggle with Fralin PAF humbuckers into the Rock input, Sylvania 6L6G and EH12AX7s, THD Longhorn close miked with a Shure SM57 into a Roland VS 1680.
Ed DeGenaro with a Suhr Strat with tele bridge pick-up into Roll input. Sylvania 6L6G and EH12AX7s, THD Longhorn close miked with a Shure SM57 into a Roland VS 1680.
UniValve
UniValve
UniValve
UniValve
UniValve
UniValve
UniValve
UniValve
Robbie Angelucci running the Univalve into a 1x12 cab with an E-Voice speaker. Guitars were a Strat and a Les Paul.
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.
Bob Savage using the UniValve with a THD 2x12. Various tubes and settings.
Andy Marshall using the UniValve for Lap Steel. Asher Lap Steel into the Uni into a THD 2x12. 6k6 and 12AX7s.
Andy Marshall using the UniValve for Lap Steel. Asher Lap Steel into the Uni into a THD 2x12. 6k6 and 12AX7s.
UniValve
UniValve
UniValve
UniValve
Excerpt from Carl Verheyens CD Garage Sale. 60s Strat into a THD Plexi into Hot Plate.
Hot PlateDemo-1 is a Suhr Tele with humbuckers into a cranked THD Plexi, attenuated down with the Hot Plate and the same riff repeated.
HotPlateDemo-2 is the same track but for every 4 dB step of attenuation the level at the mixer was brought up 4 dB in order to allow a comparison of the attenuated sound at the same level. Recorded close miked with a SM57 on a Celestion Vintage30 into the Roland VS recorder.
Excerpt from Carl Verheyens CD Garage Sale. 60s Strat into a THD Plexi into Hot Plate
BiValve-30 Sounds.
BiValve-30 Sounds.
BiValve-30 Sounds.
BiValve-30 Sounds.
BiValve-30 Sounds.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
lessinput.mp3
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
MoreInput.mp3
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
Ed Degenaro using a Suhr Tele with humbuckers into the BiValve, into Celestion V30s, miked with a SM57, and recorded in Nuendo.
BiValve with groove guitar tuned down to C with oo9 strings.
BiValve with groove guitar tuned down to C with oo9 strings.
BiValve- same as above with just the guitar bone dry.
Ed DeGenaro using the BiValve loaded down into a cab simulator as a recording amp. Stock tubes, MIJ 60s Strat RI. BiValve volume 2 o'clock, treble 10 o'clock, Bass 3 o'clock, Attitude 2 o'clock. Hi-V setting.
Ed DeGenaro using the BiValve loaded down into a cab simulator as a recording amp. Stock tubes, MIJ 60s Strat RI. BiValve volume 2 o'clock, treble 10 o'clock, Bass 3 o'clock, Attitude 2 o'clock. Hi-V setting.
Ed DeGenaro using the BiValve loaded down into a cab simulator as a recording amp. Stock tubes, MIJ 60s Strat RI. BiValve volume 2 o'clock, treble 10 o'clock, Bass 3 o'clock, Attitude 2 o'clock. Hi-V setting.
BiValve-30 sounds.
Les Paul copy into the Flexi with two 6550s into a Hot Plate into a 1x12 iso cab with a Vintage 30. Close miked with a SM57. Verb and delay added at the mix. No eq or compression added. Low gain input, all controls dimed, no boost, 20 watt setting.
Anderson Classic into the Flexi with two EL34s into a Hot Plate into a 1x12 iso cab with a Vintage 30. Close miked with a SM57. Verb and delay added at the mix. No eq or compression added. Normal input, controls were Volume 1 o'clock, Treble 2 o'clock (bright on), Mids 2 o'clock, Bass 1 o'clock, Boost on (Gain 3 o'clock, Tone 1 o'clock), Master volume on 2 o'clock, cut 2 o'clock, 20 watt setting.
Fender Strat with a JB jr. in the bridge into the Flexi with a 6550 and an EL34 into a Hot Plate into a 1x12 iso cab with a Vintage 30. Close miked with a SM57. Verb and delay added at the mix. No eq or compression added. Normal input, Volume 5 o'clock, Treble 11 o'clock (Bright off), Mids 3 o'clock, Bass 2 o'clock, Boost on (Gain 5 o'clock, tone 11 o'clock), Master off, Cut 12 o'clock. 50 watt setting.
Vigier Excalibur (EMG pick-ups) into the Flexi with two 34s into a Hot Plate into a 1x12 iso cab with a Vintage 30. Close miked with a SM57. Verb and delay added at the mix. No eq or compression added. Normal input, Volume 2 o'clock, Treble dimed (bright on), Mids 10=11 o'clock, Bass 2 o'clock, Boost on (Gain 10 o'clockm Tone dimed), Master off, Cut dimed, 50 watt setting.
MIJ Strat into the Flexi...going from low sensitivity input with no boost to normal input with boost on.
Flexi-50